Little did I know, as I eased into my seat, that I was in for one of the most memorable cinematic experiences of my life.” After a 2016 retrospective screening at the French Institute Alliance Française, film critic Richard Brody effusively praised Eustache's sophisticated portrayal of characters whose "intimate disasters have the feel of epic clashes." Further, he sees the film as Eustache's "comprehensive vision" of radical politics and the Sexual Revolution in post-1968 France – a stark, regretful, and suspicious vision that Brody terms "ferociously conservative".
Ich bin selber sehr aufgeschlossen und auf der Suche nach neuen Erfahrungen und sexuellem Spass.The character played by Jacques Renard was based on Eustache's friend Jean-Jacques Schuhl. Eustache called it a very hostile film, and it mostly consisted of dialogues and monologues about sex.Eustache says that the character Alexandre is "destroying [the three lead characters], but he is looking for it all along.Ich bin für alles was Spass macht:) und mir macht alles Spass ausser Schmerzen, Illegales und sachen die ins klo gehören.Schön wäre es neue erfahrungen draussen zu machen wenn der sommer kommt 🙂 aber auch ungewöhnliche orte und sehr reitzt es mich beobachtet zu werden.
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The film created a scandal at the Cannes Film Festival, as many critics saw the film as immoral and obscene or, in the words of the broadsheet Le Figaro, "an insult to the nation", while Télé-7-Jours called it a "monument of boredom and a Himalaya of pretension".After gaining little public recognition despite receiving praise throughout the years from critics and directors, such as François Truffaut and other members of the French New Wave, Eustache became an overnight success and internationally famous after the film's Cannes premiere. The critic Dan Yakir said that the film was "a rare instance in French cinema where the battle of the sexes is portrayed not from the male point of view alone".The film was very autobiographical and was inspired by Eustache's various relationships, such as his then recent breakup with Françoise Lebrun and romantic relationships with Marinka Matuszewsk and Catherine Garnier. Many of the locations used in the film were places that Garnier had lived or worked.My subject is the way in which important actions situate themselves in a continuum of innocuous ones.